Here's the thing: when you buy a pro-quality tripod, you get just the tripod. It doesn't come with a tripod head affixed like the cheap-o tripods do, so you'll have to buy one separately (by the way, this ballhead thing isn't necessarily about getting sharp images, but it is about keeping your sanity, so I thought I'd better throw it in). Ballheads are wonderful because with just one knob they let you quickly and easily aim and position your camera accurately at any angle (which you'll find is a huge advantage). Best of all, good ballheads keep your camera locked down tight to keep your camera from "creeping" (slowly sliding one way or the other) after you've set up your shot. Like tripods, a good ballhead isn't cheap, but if you buy a good one, you'll fall in love with it.

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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