This particular sharpening technique can only be done in the full-blown version of Photoshop (in other words, not in Elements), because it requires access to Photoshop's Channels palette (which Elements doesn't give you). So, if you have Photoshop, this is the method most widely used by pros because it lets you sharpen more without creating nasty halos and color artifacts which might otherwise occur when you use lots of sharpening. Here's how it's done:


























1.
Go under the Image menu, under Mode, and choose Lab Color.



2.
Go to the Channels palette and click on the Lightness channel. (Note: This Lightness channel contains only the detail and not the color in the photo, which is why you sidestep some of the color problems you get by sharpening the full-color photo.)



3.
Now apply the Unsharp Mask filter using the settings shown on the previous page.



4.
Try applying the Unsharp Mask filter again, using the same settings. If your photo appears too sharp, before you do anything else, go under the Edit menu and choose Fade Unsharp Mask. In the Fade dialog, lower the Opacity slider to 50%, so you only get half-strength on the second application of the filter.



5.
Now go back under the Image menu, under Mode, and choose RGB Color.





That's itpretty easy stuff once you know the secret, eh?

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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