If you're shooting flowers outdoors, you're bound to run into the natural enemy of flower photographywind. There's nothing more frustrating than standing there, tripod set, camera aimed and focused, and you're waiting for the wind to die down enough to get the shot. This is especially bad if you're shooting macro, where the slightest movement spells disaster (well, not disaster, but a really blurry photo). You can try the old use-your-body-to-block-the-wind trick (which rarely works by the way), but you're actually better off letting the camera fix the problem. Switch to shutter priority mode (where you control the shutter speed and your camera takes care of adjusting the rest to give you a proper exposure), then increase the shutter speed to at least 1/250 of a second or higher. This will generally freeze the motion caused by wind (unless it's hurricane season). If the higher shutter speed doesn't do the trick, then you have to go to Plan B, which is making the wind the subject. That's right, if you can't beat 'em, join 'emuse a very slow shutter speed so you see the movement of the flowers (you'll actually see trails as the flower moves while your shutter is open), and in effect you'll "see" the wind, creating an entirely different look. Give this seeing-the-wind trick a try, and you might be surprised how many times you'll be hoping the wind picks up after you've got your regular close-ups already done.

About Us

Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
Visitor Counter