When you're shooting your formal shots, the height that you position the camera is actually very important, because if it's not positioned correctly, your subject's body can look distorted or some parts can look larger than normal (in general, this is just not good stuff). So, finding the right height for professional portraits is critical. Here are a few guidelines to help you get the pro look:


Standing, Full-Length Portrait: Position your camera (on your tripod) at the bride's waist height (yes, you'll have to squat down/bend over, etc., but the final result will be worth it). Keep your lens straight (don't aim up towards the bride's face).


7/8 Shots (from the Calf Up): Position your camera (on your tripod) at the bride's chest level and shoot with your lens straight from there.


Head and Shoulders Shots: Position your camera (on your tripod) either at the bride's eye level or slightly above

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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