If you ever get to shoot in some truly amazing outdoor locations, like the Grand Canyon or Yosemite National Park, it's really a very humbling photographic experience. The reason why is you're looking at this amazing vista, at the sheer grandeur of it all, and it looks so awe inspiring you'd figure a chimp could even take a great photo of it. I mean, it's just so spectacular, how could you mess it up? Then you set up your tripod, look in your viewfinder, and it happensyou begin to silently sob. You're sobbing because you bought all this expensive camera gear, with multiple camera bodies and lenses that cost more than a Toyota Prius hybrid, you've got more filters than a Ritz Camera store, and your camera bag weighs approximately 54 lbs. You saved all year, took your two-week vacation from work, bought round-trip airfare, and rented a huge SUV big enough to haul you, your family, and all your expensive gear out into the sweltering summer heat of the canyon. Now you're looking through your viewfinder and what you see doesn't look half as good as the stinkin' postcards in the park's gift shop that sell for $1.25 each. Tears begin to stream down your face as you realize that you're not going to get the shot you came for. And whose fault is all this? Ansel Adamsthat's who. He screwed up the Grand Canyon, Yosemite, and a dozen other locations for us all. But even though we're not Ansel Adams, we can surely get better photos than the ones in the gift shop, right? Well, it starts with reading this chapter. Hey, it's a start.
About Us
Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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