If you've ever had a chance to photograph something like the California redwood trees or a huge rock formation out in Utah's Monument Valley, you've probably been disappointed that when you looked at those photos later, you lost all sense of their size. In person, those redwoods were wider around than a truck. In your photos, they could've been the regular pines in your backyard, because they lost their sense of size. That's why, when trying to show the size of an object, you need something in that shot to give the object a sense of scale. That's why many photographers prefer to shoot mountains with people in the scene (hikers, climbers, etc.) because it instantly gives you a frame of referencea sense of scale that lets the viewer immediately have a visual gauge as to how large a mountain, or a redwood, or the world's largest pine cone really is. So, the next time you want to show the sheer size of something, simply add a person to your shot and you've got an instant frame of reference everyone can identify with. It'll make your shots that much stronger. (Note: By the way, this also works for things that are very small. Put the object in someone's hands, and it instantly tells the story.)

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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