The big rage in digital lenses these days are the Vibration Reduction (VR) lens from Nikon and the Image Stabilization (IS) lens from Canon, which help you get sharper images while hand-holding your camera in low-light situations. Basically, they let you hand-hold in more low-light situations by stabilizing the movement of your lens when your shutter is open longer, and honestly, they work wonders for those instances where you can't work on a tripod (like weddings, some sporting events, when you're shooting in a city, or just places where they simply won't let you set up a tripod). If you're in one of those situations, I highly recommend these VR or IS lenses, but depending on which one you use, there are some rules about when you should turn them off. For example, we'll start with Nikon. If you are shooting on a tripod with a Nikon VR lens, to get sharper images turn the VR feature off (you do this right on the lens itself by turning the VR switch to the Off position). The non-technical explanation why is, these VR lenses look for vibration. If they don't find any, they'll go looking for it, and that looking for vibration when there is absolutely none can cause (you guessed it) some small vibration. So just follow this simple rule: When you're hand-holding, turn VR or IS on. When you're shooting on a tripod, for the sharpest images possible, turn VR or IS off. Now, there are some Nikon VR lenses and some older Canon IS lenses that can be used on a tripod with VR or IS turned on. So, be sure to check the documentation that came with your VR or IS lens to see if yours needs to be turned off.

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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