At weddings, there are three things you're definitely going to want to shoot with a wide-angle lens. One is the rice throwing (of course, they don't actually throw rice anymore). You'll want to shoot this with a wide-angle lens so you get the bride, groom, andjust as importantthe crowd throwing the rice (or rice byproduct) behind and around them. The other thing you'll want a wide-angle lens for is shooting the interior of the church. The bride is going to expect a photo that takes it all in and your wide-angle lens will be your Get Out of Jail Free card when it comes to covering this all-important shot. Lastly, you'll want your wide-angle lens for shooting the bouquet toss and garter toss, so you can get both the tosser and the anxious crowd waiting to capture the prize (so to speak). Go wide, shoot from in front of the bride, and you'll get it all in one shot (but don't just take one shotthis is where a burst of shots will pay off).

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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