When you're posing other people with the bride, including the groom, to create the level of closeness you'll want in your photos, be sure to position the heads of the bride and the other person very close to each other. This doesn't sound like it would be a problem, until you actually start posing people. When they fall into what feels like a natural pose, they leave way too much room between their head and the bride's head. While this may look perfectly natural in person, the photos will lack a closeness that will be really obvious. I've seen this again and again, and I constantly have to remind people, even the groom, to move their head in very close to the bride. To them, it just feels unnatural being that close while posing, but if they don't do it, your shots will look stiff and unnatural. Keep an eye out for this on your next wedding shoot and you'll be amazed at how the level of closeness between your subjects goes up, giving you much more powerful images.

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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