There's a problem with taking photos of people dancing. If you shoot them with a flash (and most likely you will), it will freeze their movement, so they'll look like they're just standing still, but in somewhat awkward poses. It still amazes me how people doing a line dance can be pictured as people in a police lineupthe camera just doesn't capture motionunless you tell it to. There are really two techniques: the first is in the camera. It's called panning, where you take the camera and follow the movement of one of the people dancing (usually the bride, groom, a bridesmaid, or a groomsman), while using a slow shutter speed so the rest of the people have a motion blur, which makes them look like (you guessed it) they're dancing. If you didn't remember to employ this technique during your reception shoot, then you can add this motion blur in Photoshop. The first step is to duplicate the Background layer. Then go under the Filter menu, under Blur, and choose Motion Blur. Set the Angle to 0°, then increase the Distance until things look like they're really moving. The last step is to get the Eraser tool, choose a really big soft-edged brush (like the soft round 200-pixel brush) and erase over the person you're focusing on (like the bride, etc.) so that person appears in focus, while everyone else is dancing and moving around having a good time.

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Smiling Eyes gives you the Best award winning guide for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak." This isn't a book of theoryit isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button. Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the guide for you.
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